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Douglas Kearney's first full-length collection of poems, Fear, Some, was published in 2006 by Red Hen Press. His second manuscript, The Black Automaton, was chosen by Catherine Wagner for the National Poetry Series and published by Fence Books in 2009. It was also a finalist for the Pen Center USA Award in 2010. His chapbook-as-broadsides-as-LP, Quantum Spit, wasreleased by Corollary Press in 2010,He has received a Whiting Writers Award, a Coat Hanger award and fellowships at Idyllwild and Cave Canem. Kearney has performed his poetry at the Public Theatre, the Orpheum, The World Stage and others. His poems have appeared in journals such as Callaloo, jubilat, Ploughshares, nocturnes, Ninth Letter, miPoesias, Southampton Review, Washington Square and Tidal Basin Review. He has been commissioned to compose poetry in response to art by the Weisman Museum in the Twin Cities, the Studio Museum in Harlem, FOCA and SFMOMA. Performances of Kearney’s libretti have been featured in Los Angeles, San Francisco, New York and Europe. Born in Brooklyn, he lives with his family in California's San Fernando Valley. He teaches at CalArts. |
All three poems are from The Black Automaton Tallahatchie LullaBye, Baby cattail cast tattles Till tale, skin scow skiffs upon pond scum skin maybe bye baby bye baby by and by— who’s a bruise to blue hue ’hatchie, —Emmett Till (1941–1955) floodsong 3: alligator’s QUIET STORM ’Trina she my long leg woman. ’Trina she my hot blooded woman. ’Trina she strong arm woeman. ’Trina she my good hand woman— ’Trina: she muh big eye wmmman, |
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© 2011 Douglas Kearney |
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