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A transplanted New Yorker, Judy Kronenfeld first came West for graduate school at Stanford, where she received a Ph.D. in English. She returned to writing poetry—her childhood love—a decade after completing her education. She is the author of two chapbooks and three books of poetry. Her most recent book of poems is Shimmer (WordTech Editions, 2012). Her previous collection, Light Lowering in Diminished Sevenths (The Litchfield Review Press, 2008), won The Litchfield Review Poetry Book Prize for 2007. Her poems have appeared in American Poetry Journal, Calyx, Cimarron Review, Natural Bridge, The Pedestal, Poetry International, Spoon River Poetry Review, and The Women’s Review of Books, among other journals, as well as in over a dozen anthologies including Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State University Press, 2009); and Love over 60: An Anthology of Women's Poems (Mayapple Press, 2010). Her more occasional stories, creative nonfiction and reviews have appeared in WomenWriters: A Zine, Literary Mama, Under the Sun, Inlandia: A Literary Journey, Chelsea, and Borderlands: Texas Poetry Review, among other places. She is also the author of a critical study, KING LEAR and the Naked Truth (Duke, 1998). She has taught English literature at UC Riverside, UC Irvine and Purdue University, and is now Lecturer Emerita, Dept. of Creative Writing, University of California, Riverside. Judy Kronenfeld is on the Publications Committee of the Inlandia Institute, and an Associate Editor of the online poetry magazine, Poemeleon. She lives in Riverside with her anthropologist husband; they are parents of two and grandparents of four—all on the East coast. |
Soft Your father doesn't have a soft word for me, And I think how hard of how we might live our whole as silk slip of cornstarch studies as newly velveted water says as snow pear petals From “Sbimmer” Thaw I saw it, mid-walk with the dog, And made me think First published in Natural Bridge After Desolation and the neck stretches up The wandering mind until one, then two, four, and the gaze ascends, as if First published in Connotation Press
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© 2012 Judy Kronenfeld |
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