Three poems from Start with a Small Guitar:
—last night, I dreamed I was Frida Kahlo
star-tips and tight earth,
beaver, pond, blue veronica.
I wasn’t Frida but I was
just as unfathomable
being roots & thistle & blood,
bulb of green earth, womb
of some wingéd web-weaver,
deep lover, quite still, still
stone. In morning’s indigo,
in the steam and sun of it all,
I was supplicant before oceans,
apatite, ideas and lantern-
light, unhooked and needle-
fine, copper-red, a cosmos—
More than a rhythm section,
I want a band.
I want a band
that low-tones
downtown
in smoky bars.
I want a band
that highbrows
with hot cats
in the uptown—
there is a rose
in Spanish Harlem—
of lamp-lit lofts.
I want
but they say
money’s tight
and what about
a baby and you
can’t have it all.
But I want rests & scales
and a tenor voice to
sing softly to me
and musicians who sit
where woodwinds
and brass sit and when
the best is yet to come
I want my man
to tuba me,
trombone me
and flare my bells,
to oboe and O baby
love me `til I swing low
who will buy
this wonderful feelin’?
The Sweet Blind
Upon my body—perhaps
the other way around?—
your four-leaf clover.
This argument—elegant—geometric—
assumes its own heat.
It is grander or more
reduced than desire or this chalice of
one day we will leave abruptly,
forget: nail of one lover’s
middle toe scraping the other lover’s
inner thoughts; their imaginations
indistinct, impossible
to separate. Or maybe this is only a season’s
back-story, given context; quite rare
in…shall we call it late summer?
And even as I tell you that every season
is rare, you, my pretty—well, let’s just say
your response is as deliberate as
an artist’s duplicity; subtle as the melodic Sweet Blindness,
thunderous in its rebuke of our conspiracy,
of our bodies, inflamed, and astonished—
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